Actually, everything is completely different

The onset of the film, Actually, everything is completely different, must have begun with questions such as the following: how do you portray someone who, for more than forty years, has put their artistic effort into making portraits of artists? How do you portray someone who has persistently aimed at getting closer to those portrayed rather than their art? And, finally: how do you make a portrait of someone who, for decades, not only hid these portraits from the public, but also in his films made himself vanish as much as possible as well as in public discussion of...